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Original Title: Oblivion
ISBN: 0316010766 (ISBN13: 9780316010764)
Edition Language: English
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Oblivion Paperback | Pages: 329 pages
Rating: 4.07 | 11965 Users | 858 Reviews

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Title:Oblivion
Author:David Foster Wallace
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 329 pages
Published:August 30th 2005 by Back Bay Books (first published June 8th 2004)
Categories:Short Stories. Fiction. Literature. American

Commentary Supposing Books Oblivion

Otto romanzi brevi in cui Wallace gioca felicemente fra le macerie della realtà, aprendo nuove vie, nella scelta sia del tema come della forma più originale e sorprendente. Personaggi descritti nelle loro angosce e allucinazioni, scavati fino a zone inesplorate della psiche e della carne, senza mai la benché minima concessione a psicologismi o verismo di maniera. Dal giovane di successo consapevole di essere un impostore, condannato a smascherarsi o ad annientarsi, al pluriomicida che di fronte alla cecità degli altri si scatenerà in un college. Oltre le singole storie, questo libro mostra che la letteratura può arrivare al cuore marcio della società e spalancarci il corpo martoriato, eppure così normale, della nostra vita quotidiana.

Rating About Books Oblivion
Ratings: 4.07 From 11965 Users | 858 Reviews

Criticism About Books Oblivion
If nothing else, this book really made me think. Maybe even over-think. This book invites it. There is a lot to mull over in each of these stories, and DFW is very rarely direct about anything, preferring to leave clues along the way. I think its interesting that each story has its own specific vocabulary and/or verbal tics from Mister Squishy's ad agency lingo to Oblivions strange use of latin/pace/'air-quotes' to Suffering Channels magazine-speak; its almost as if the characters in one story

"What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny little part of it at any given instant."- David Foster Wallace, Oblivion Let me get my biases out in the open. I love DFW. I have to be careful somedays to not fall-down and worship his novels. Wallace's nonfiction talent also hits me as evidence that the universe is not even slightly fair. But, I've always been just a little unsettled (and occasionally

David Foster Wallace is a literary stylist, and one can dislike his style without denying the fact that he is an outstanding writer. While reading Oblivion, my opinion of this style was constantly switching. Sometimes I was reading something brilliant, transcendent, which in both language and perspective captured perfectly and beautifully the essence of his subject. However the greater part of the experience was one of pure tedium. Wallace does like to go on and on and on, about every minute

Very uneven, though I love DFW with a deep and abiding passion, it must be said that not all that glitters is necessarily gold...about half the stories are experimental airballs and the other half are uniquely powerful, beautiful and inimitable. The Good: Mister Squishy Another Pioneer The Soul Is Not A Smithy The Bad: Philosophy and the Mirror of Nature Oblivion The Suffering Channel Incarnations of Buried Children The Amazing, Brilliant and Powerful: Good Old Neon I do treasure my copy,

I get a little depressed after reading DFW books because I realize how far my writing skills fall short. This book is insanely dense and show-offy in the best sense (like when a magician draws attention to himself to fool you...then leaves you breathless after the bangs and flashes). This is a book of short stories, though some should technically be called novellas, each with totally implausible plots...until Wallace pulls it off. Faulknerian sentences were sort of his schtick in Infinite

Caution:- Long review ahead.I finally understand what the word 'tedium' means. Interestingly enough I have neither associated this particular term with books making use of the much revered and equally feared stream-of-consciousness as a narrative device nor with hefty tomes worth more than 1000 pages. But getting through even 1 page of DFW's writing requires a Herculean effort on the reader's part. Wallace commands your undivided attention and let's say if you are demanding the luxury of a split

Comforting the disturbed and disturbing the comfortable.This is one of the eight portrayals of failure to communicate in the Oblivion short fiction collection which was the last of DFWs published fiction in his lifetime. I have already posted a review of The Soul is not a Smithy which is also from this collection, and in my opinion these two stories are the most outstanding.Wallace uses the clinical, the theoretical, and the confessional style of narrative, and often all three, to home in on

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